Sydney's young psychedelic foursome Cassette Kids have been picked to tour with Lily Allen, the Tings Tings and New Young Pony Club, so it's no surprise they follow the same formula of very catchy, danceable pop.

This is the follow-up to the Oxford hip-shakers and knee-jerkers' accomplished but sometimes hard-going debut, Antidotes, from 2008.

By Jack Johnson's standards his fifth album begins wildly. The catchy intro to opening song and first single You And Your Heart is a slightly dissonant, almost raw, guitar strum.

How do you craft a chart-topping pop album these days? The short, and easiest answer is, don't bother.

Crowded House's latest addition to their career comeback is more successful than its predecessor

Rebuilding the Temple.

The title of this fifth album by the Brooklyn five-piece is a loose tribute to the late US guitar outfit Husker Du

The hand-drawn imagery is on Woods' fifth album is spot on.

Tingling your hairs, then tickling your feet, Monae's energetic combination of musical genres urges you to clap your hands.

If ever there was proof dubstep has come in from the cold and skulked its way to the surface from its dingy underground roots, it's this compilation.

Anais Mitchell's gamine country-girl vocals could get on your wick after 20 songs, but when they are interspersed with the patter of bongos, tremble of double bass and smooth blend of baritone chorus they are addictive.

Now this is more like it from fitful British soul singer, beat boxer, and rogue music-maker Jamie Lidell.

Known for producing blues-rock as thick as drummer Patrick Carney's glasses, Ohio-based duo The Black Keys has over the years tossed its tunes in everything from garage-rock to hip-hop.

The Dead Weather do what they do best on Sea of Cowards.

Having stepped out of the shadow of the Wallflowers, Jakob Dylan increasingly occupies an almost MOR singer-songwriter world in terms of melody.

Sometimes people play down their talent so their peers think they are cooler.

It was Auckland's Arch Hill Recordings that became the flagbearer for much of indie rock in New Zealand through the 2000s.

Paul's purple patch.

On Diamond Eyes Chino is back to his shrieking, yowling, and soaring best with a unique voice that sounds like he's singing through a loud hailer.

Tyson Smith's debut album comes about after a fair bit of traveling and he alludes to its intercontinental feel with the image on the cover.

It starts very distinctively Kate Nash: all pretty piano, stirring strings, claps, and her voice - sweet as pain au chocolate.