The second instalment of a two-parter, this play proposes a solution to the mystery of what happened to the play that matched Love's Labour's Lost by assuming it was (and then delivering) Much Ado About Nothing.

One of the later sequences in this heavily armed action flick takes place in a bullfighting ring. Yes, we're now in Spain. No kidding.

The wonderful choristers of the American Boychoir School (is "boychoir" even a word?) in Princeton, New Jersey, are the heart and soul of this production. But all the star power at the top of the bill cannot save a sentimental paint-by-numbers film.

Toni Collette is fabulous and utterly convincing in this low-key drama about a magazine music writer whose latest assignment is to go in search of her ex-boyfriend, cult rock hero Matthew Smith, who mysteriously disappeared 10 years ago.

For Russian writer-director Zvyagintsev, whose 2003 debut The Return deeply impressed, this is feature number four, though only his second to be seen here outside festivals.

Age of Ultron feels less of an event than the first film, just a reasonably exciting instalment in Marvel's ongoing mega-franchise.

After a difficult start with the comings and goings of numerous directors and stars, including Katherine Heigl and Natalie Portman, this epic romantic drama about a woman who remains aged 29 for almost eight decades finally sees the light of day.

John Steinbeck's classic American tragedy-in-miniature has had five screen adaptations (including an Iranian film) but the only theatre version was the author's own, published and first staged in 1937, the same year as the novel.

The patient, deeply humane tone that distinguished Conversations with My Gardener and My Afternoons with Margueritte is on show in the new film by veteran French director Becker.

Nominated for a Golden Globe, The Book of Life is directed by Jorge Gutierrez but also carries the creative imprint of producer Guillermo del Toro.

Frederic Tcheng, who co-directed Diana Vreeland: The Eye Has to Travel and co-produced Valentino: The Last Emperor, steps out with his solo directing debut, Dior and I.

Following The Hunger Games was always going to be tough for the Divergent series, another young adult novel series set in a dystopian world.

Looking for light, cheerful entertainment for the littlies these holidays? Meet Home, the latest animated family film from DreamWorks Animation.

A loss of focus turns this small English feature from an excellent film into a routine and mediocre one about half-way through, but its opening reels have touches of understated genius about them and it is full of undeniably moving moments.

Free of the Harry Potter juggernaut, British actor and director Alan Rickman has finally returned to the director's chair, almost two decades after his directing debut with The Winter Guest.

Chameleon character actor Marsan has a long list of supporting-role credits in big films (Sherlock Holmes; Mission Impossible III) and small (X+Y), which releases here next week.

A good kidnapping requires clever design, meticulous planning and a magician's sense of timing; so does a good kidnapping film. This isn't one.

Will Smith and Aussie It Girl Margot Robbie team up in a sleek slice of escapism from directors John Requa and Glenn Ficarra, the co-writers and directors of I Love You Phillip Morris and Crazy, Stupid, Love.

Even best actress Oscar winners can have a bad day at the office, and this is one of those for Julianne Moore.

Just as warm and charming and with pretty much the same cast as the original, this sequel will delight its sizeable fan base, and leaves the door wide open for a third film.

Mike (Austin Powers) Myers' debut as director is a documentary about a talent agent. The choice of subject matter is perhaps the last word in self-referentiality, though it's not clear whether the titular Gordon ever represented Myers.

More theatrical than knuckle-whiteningly dramatic, this NT Live* production of Robert Louis Stevenson's classic 1883 adventure book is nevertheless an eye-poppingly brilliant display of stagecraft with a show-stealing turn from a remote-controlled animatr

The Wachowski siblings will always be known as the masterminds behind The Matrix series, and with Jupiter Ascending they deliver another ambitious and elaborate science fiction adventure.

Grounded is a superb example of how a play can challenge you to think more deeply.

This excellent one-man show from Britain is an intriguing tale, well told.

About 20 minutes into this electrifying, often terrifying documentary, the film-maker shows for the first time the man we have come to know as Edward Snowden.