The Guardian reported that in the UK, 87 per cent of cinemas showed the live screening, surely the biggest audience in history for a Shakespeare play.

Somehow, this next generation Rocky spin-off delivers a fresh, exciting boxing drama all its own.

When writer-director Leslye Headland presented her second feature film, Sleeping with Other People, at the Sundance Film Festival, she described it as "When Harry met Sally for assholes". Turns out, that's an apt description.

You don't have to like cycling to find yourself leaning into the corners on The Program.

A sharp portrait of the agony and ecstasy of becoming yourself.

After four years, three films and reportedly over US$2.2 billion in worldwide box-office takings, author Suzanne Collins' disturbing young adult book trilogy comes to a grim and exhausting conclusion with The Hunger Games: Mockingjay Part 2.

A budding young writer in need of life experience finds the perfect muse on the streets of New York; a sophisticated, older French woman who suggests they have a "cinq-a-sept", an affair that takes place between the hours of 5am and 7pm.

More than once in Michael Almereyda's playfully imaginative telling of the famous Stanley Milgram experiment, the film's subject walks through the corridors of Yale University musing direct to camera as an elephant lumbers by in the background.

When the Argentinian thriller The Secret in Their Eyes walked away with the 2010 Oscar for best foreign film.

An exceptional cast of three Oscar nominees, with some wins between them, work hard to elevate a plodding script to more than a TV movie of the week, but it's a tough ask.

Any film about Malala Yousafzai, the courageous Pakistani girl shot by the Taleban in 2012, would be inspiring.

The first fruit of a co-production agreement between Australia and India, this cross-cultural love story follows a formulaic and predictable path.

Dynamic and passionate, thrumming with barely suppressed anger, this sleek American indie has the brains of a documentary, the soul of a moral fable and the beating pulse of a thriller.

Calling this latest collaboration, by director Noah Baumbach and star and co-writer Greta Gerwig a whirlwind of witty observations about the entitled middle class, is an understatement; it's a tornado.

The Ghost Dimension is set in 2013, when a new family move into a house and find a 1980s-era video camera and tapes.

Bridge of Spies is a dialogue-driven, handsome and detailed period piece, which also features conversations about America's constitution and civil liberties.

Burnt is not a film to watch on an empty stomach, writes Francesca Rudkin.

The Walk, a film based on Philippe Petit's 1974 high-wire walk between the World Trade Center towers, is more gimmickry than poetry, writes Peter Calder.

In the new version of the Kray twins story, the notorious gangsters spring to life fully formed.

French writer-director Oelhoffen parlays a 1957 short story by Albert Camus into a quietly riveting quasi-Western, set in the sere rocky uplands of Algeria in the 1954, at the start of the bloody war against the French colonisers.

The presence of Sharma (from Ang Lee's The Life of Pi) and Revolori, the bellboy stuck on fast-forward in Wes Anderson's mystifyingly popular The Grand Budapest Hotel, may improve the fortunes of this straightforward family drama.

Depp's intense, quietly disturbing portrayal of cold-blooded killer Jimmy "Whitey" Bulger proves the actor is back on form.

The sobbing and sniffing in the theatre would indicate this emotionally manipulative story about lifelong friends dealing with one of them having cancer hits the mark - but it's a close-run thing.

Auckland University's Professor Richard Easther, one of the world's leading cosmologists, gives his scientific verdict on the movie of the moment.

Matt Damon and Ridley Scott's adaptation of the bestseller about an astronaut stranded on the red planet is the interplanetary geek gardening thriller of the year.

In Pan, director Joe Wright creates his own interpretation of Barrie's story by taking the source material and imagining what came before, telling the story of how Peter found Neverland, and became Peter Pan.

More than a quarter-century after Hope and Glory, his enchanting, autobiographical child's-eye view of London in the Blitz, Boorman turns in a sequel-of-sorts.

The Scottish play is Shakespeare's leanest tragedy, barely 2500 lines as against Lear's 3500 and Hamlet's 4000.