A United Kingdom is a handsome, enjoyable historical drama, but doesn't quite reach the epic height it was aiming for.

Office Christmas Party veers into the ridiculous, but with a cast of likeable and quirky characters the wackiness works, without dazzling

This dull heap of action-fantasy mediocrity, one which wants to be Game of Fangs, is the fifth.

Sunset Song is a gorgeous slice of poetic realism which is as cruel and harsh as it is beautiful and lyrical.

There's little memorable about Trolls, but you got to hand it to these weirdly happy people - they sure know how to put a smile on a kid's face.

I'll admit that The Founder, the story of the birth of McDonald's, is a little harder to swallow than a cheeseburger and fries. The

Allied's strong sense of déjà vu sure makes it look nice. But it sure doesn't help make it a great film.

It's not often a censor's notes can be such a spoiler (Violence, horror, sexual material & necrophilia). You may want to add misogyny, cannibalism and vampirism to that list.

The Founder is a bland movie which becomes less great American business saga, than a mildly engaging, mildly uncomplimentary Kroc biopic.

Moon landing hoaxsters will undoubtedly be very happy with Operation Avalanche.

War on Everyone is a film that is remarkably tone deaf and quite awful.

In his 20th film, Spanish director Pedro Almodovar drops the farcical approach of his last, I'm So Excited!, and the chilling tone

Keeping up with film releases can sometimes feel like the entertainment selection on a long-haul flight. Every movie starts to blur

Following 2014's acclaimed Love Is Strange, Little Men is another very New York story with real estate concerns from director-writer Ira Sachs.

These doco directors brought clarity, perspective and humanity with The 5th Eye, which covers New Zealand's role in the Five Eyes spy alliance.

Arrival does have moments of story daftness, however, Adams' performance as Dr Louise Banks is terrific.

The Light Between Oceans, directed by Ryan Gosling fanboy Derek Cianfrance (Place Beyond the Pines, Blue Valentine) is the latest

REVIEW: Mel Gibson will be hoping that Hacksaw Ridge can reset the bones of a broken career.

Oh good. Another rich prick gets a cape and a suit. Wait, come back. This isn't that sort of superhero movie.

The way Hell or High Water gently and precisely unfurls its plot, the characters and their motivations lifts this above the ordinary.

I, Daniel Blake may be an incensed political film. But it runs on the hope that a decent bloke will get asked just that.

It's getting harder and harder to do new things with horror.

As a spoof or spy movie, you have to say this about Keeping up with the Joneses - it sure can't keep up with those Smiths.

If Shideh wasn't already feeling demonised enough. She's a liberal-minded woman living in Tehran during the final years of the 1980s Iraq-Iran war.

The second Jack Reacher film fails to measure up to just about everything.

Ouija: Origin of Evil is a familiar story but Flanagan throws in just enough creepy and witty twists to keep you interested in how it turns out.

For all its classy production values, Café Society isn't as invigorating as Woody Allen's top-notch work can be.

As the 2014 Oscar-nominated anthology Wild Tales showed, Argentinean cinema does like its black comedies.

It's ten years since Tom Hanks first played the dull but exceedingly well-read Robert Langdon in The Da Vinci Code, and seven since he did another lap of art-history orienteering in Angels and Demons.

A whodunit story makes an absorbing thriller on page, but less so on screen, even if it also delivers a compelling title character.